Books have always been magical to me. They open up whole new
worlds – adventure, history, drama, love, humour, magic, courage, heroism and
spiritualism. They give you an insight into how other people think and act,
what their day-to-day lives are or were like, what inspires them and what
defeats them. I’ve always used them as a way to switch off and escape from
wherever I am or whatever I’m feeling.
Books don’t demand much from you, and are pretty trustworthy and
reliable. They aren’t inclined to treat you badly, or disappoint or judge you. And
they offer adventure, escapism, excitement and comfort, and teach you all sorts
of things.
I took solace in this growing up and into my early 20s, when I
wasn’t such a fan of people and a little disillusioned by life in general. The
best New Year’s Eve I’ve ever had was when I was about 16. I spent the evening
sitting in an armchair at my parents’ house, reading a book from cover to cover
with a cup of tea.
However, not many of the books I’ve read really stand out. Well,
not the ones that were supposed to. I couldn’t tell you which books I studied
in year 12 Literature or throughout my Bachelor of Arts Literature major, or which
stories teachers used to inspire us in my Diploma of Arts in Professional
Writing and Editing.
When I’ve been swimming lately, I’ve been thinking about some of
the books that have stood out. With each lap, I retell their stories or certain
scenes in my head,
and I feel that same sense of escape and wonder that I did when I first read them.
and I feel that same sense of escape and wonder that I did when I first read them.
For various reasons, these books have elicited strong feelings
in me, and their stories remain with me. Sometimes I’m surprised about what has
actually stuck with me. Sometimes I’m a little disappointed (why is it I can remember
details in a novel revolving around a cat, but not the names of any of the
award-winning, highly acclaimed and influential literature I studied at school
or university?).
Here’s a little about seven of these memorable tomes.
This book was originally published anonymously, but the author
was identified soon afterwards. If you read this book, you will understand why
she tried to remain anonymous.
This isn’t a pretty or nice book. It’s a rather harrowing and depressing account of Berlin’s occupation by Soviet forces towards the end of World War II. Specifically how nasty and violent the soldiers were to the women and children left behind, the conditions they faced, and what German women did do to survive. It raises all sorts of interesting questions, like how far should someone go to protect themselves, and whether those actions make them strong or weak, good or bad, or just human.
This isn’t a pretty or nice book. It’s a rather harrowing and depressing account of Berlin’s occupation by Soviet forces towards the end of World War II. Specifically how nasty and violent the soldiers were to the women and children left behind, the conditions they faced, and what German women did do to survive. It raises all sorts of interesting questions, like how far should someone go to protect themselves, and whether those actions make them strong or weak, good or bad, or just human.
This book left me feeling ever so flat, cranky, sad and
disillusioned with the world. Only I didn’t realise the book was making me feel
this way until I’d almost finished it. Why do I list it here if it made me feel
so horrible? Because I still think about it. It was real and honest and those
things happened. They are probably still happening in place we hear about on
the news (and in places we don’t hear about on the news). This kind of book
gives you an insight into how people think and what they will do to stay alive,
and how they rationalize things in extreme circumstances. And it makes you
think about what you’d do in the same situation.
2. Stasiland by Anna
Funder
Mainly I love this book because I wanted to be Anna Funder –
speaking fluent German and living in Berlin researching history in German,
learning about spies and soldiers and government secrets.
I also love this
book for its content. The stories Anna tells
are fascinating, real-life tales of how people lived behind
the Berlin Wall and in Germany overall after the war.
The conditions, risks and restrictions they faced, how
these things affected their lives, and how they managed
or overcame them.
are fascinating, real-life tales of how people lived behind
the Berlin Wall and in Germany overall after the war.
The conditions, risks and restrictions they faced, how
these things affected their lives, and how they managed
or overcame them.
Anna interviews people from both sides of the tracks – the Stasi
as well as the people (their victims). Again, it raises all sorts of questions
about how far people will go to survive in extreme circumstances.
When I first read this book, I was so taken with it that I made
a guy I was dating read it. He loved it so much, he read it twice and when we
broke up, I had to demand it back. He’d folded the corners to mark his page. If
we didn’t split up then, we definitely would have once I’d discovered this
fact.
3. After Cleo: Came Jonah
by Helen Brown.
This is where things turn a little less high brow. My mum’s friend loaned her this book, and mum loaned it to me. I
wasn’t that keen to read it, to be honest. It looked like mainstream, trashy,
old lady, girly pulp fiction type drivel to me. But you know what, I couldn’t
put it down. And I’m dying to know what happened to the family and their cat.
It’s a biography of sorts, written by a woman who adopts a
troubled cat, whose daughter moves overseas to live in a monastery, and who is
diagnosed with breast cancer. It sounds quite melodramatic, but it is actually very
engaging and beautiful. It considers all kinds of relationships, love, loss,
freedom, faith and independence, with a bit of humour and quirkiness. It was
easy to read and follow, and light and happy and positive. A genuinely nice
book that proves you can't judge
a book by its cover (ha!).
a book by its cover (ha!).
4. The Kashmir Shawl by Rosie Thomas.
My mother-in-law gave me this for my birthday not long after
I’d returned from India. It flicks between the past, with a
newly wed couple doing their thing in India as missionaries as British rule
falls, and the present, with their granddaughter discovering her grandmother’s
Kashmir shawl in her dead mother’s drawers and deciding to trace its – and her
grandparents – history. Naturally she uncovers a secret and falls in love in
the process.
I took me a little to get into it, but after a chapter or two,
I was hooked. It’s quite a gentle, beautiful story. I was taken with the idea of someone being inspired to drop everything to go overseas because of a beautiful shawl. So spontaneous and irresponsible and adventurous! I also loved the relationships that developed between the characters, past and present, and how the characters themselves grow.
I was hooked. It’s quite a gentle, beautiful story. I was taken with the idea of someone being inspired to drop everything to go overseas because of a beautiful shawl. So spontaneous and irresponsible and adventurous! I also loved the relationships that developed between the characters, past and present, and how the characters themselves grow.
The book must have been pretty well written, because I can still
see many of the scenes in my mind – the Irish fields, Swiss mountain ranges, and
Indian houseboats, gardens, villages, mountain crossings and rabid dogs. An
imaginary visual feast, if you like.
Now,
this is a sweeping, melodramatic saga if ever there was one. This book is one
of my mum’s favourites – I have no idea how many times she’s read it or how
many copies of it she’s owned. I was skeptical when she gave it to me and told
me to read it. But it was worth every one of those 800-odd pages.
Shadow of the Moon follows a family over
several generations as they are involved with and affected by the British rule
of India and India’s ultimate fight for independence. It features several love
stories, with a good dose of honour, heroism, adventure, sex, violence and
family drama thrown in. It also features some good, strong female characters.
This fictional tale references real events and details
well how life would have been
during that tumultuous, nasty period. It makes you appreciate how lucky
we have it, really.
during that tumultuous, nasty period. It makes you appreciate how lucky
we have it, really.
Another
novel with chapters that alternate between past and present, and featuring
another woman embarking on another adventure. This woman inherits the only
house on a remote Scottish island from her estranged archaeologist father. She
packs up her life in Sydney, hops on a plane and boat, and takes up residence
there, hoping to write her thesis in peace. Unfortunately, her dad had been
digging on the island and disturbed some troubled, love
lorn Viking-era spirits in the process, so she has to clean up his mess.
This
is no great piece of literature, but it’s catchy and easy to read. There’s some
historical detail, a little romance, mystery, self-discovery, beautiful
scenery, and a nice story tying it together. These are key ingredients for any
good book in my view. But what really stuck with me was the historical part of the story, the description of the
harsh and uncertain life the people lived at the time, and the role of religion, faith and family in day-to-day life. It also must have been pretty exciting for
the woman to reconnect with her father and his work, albeit posthumously, and to explore the island’s
history, solve a mystery and rediscover her passion for archeology. And all
while falling in love. What more can you ask for?
7.
Burial Rites by Hannah Kent
This
is an award-winning fictional retelling of factual events – the execution of a
woman found guilty of murder in Iceland. It’s dark, and a bit twisted and
gruesome in parts. Sometimes it’s a little irritating and slow, and sometimes
you want it to slow down to try to delay or stop the execution (especially as
Hannah implies the woman is innocent). It took me a few chapters to get into
the book, but this woman’s story, her life and death, keeps popping into my
mind.
I
watched a documentary on this novel and Hannah Kent. Her description of
researching and writing this story was haunting. It was like she was possessed
by the main character, guided by her spirit. I’ve also been to Iceland, and
through Hannah’s writing, I could see the stark, icy landscape and glaciers, the
cottages spotted around the mountains. I could smell the earth, animals and
musty rooms, and feel the icy winds, rain and fire. I could also feel the
woman’s fear, longing, frustration, isolation, resignation, and love for her
man and the family who took her in at the end. How do you forget something like
that?
Want more?
An
honourable mention goes to these authors.
· Tim Winton. Excluding his
most recent work (Eyrie), you can’t
really go wrong with Tim. I don’t know if it was Scission or A minimum of two
(both collections of short stories) that hooked me, but I discovered him when I was about 15. I love his early work the most. I still think about the
woman lying on the grass, trying to tan away the silvery stretch marks from her
pregnancy, and the man taking his toddler son for a wee and the ammonia smell
of it.
· Tim Richards. I’ve
probably read Duckness (a collection
of short stories) three times (and I don’t usually read a book more than once).
It was quirky and easy to read. Other than that, I’m not sure why I liked it so
much, but I really did. His other fiction books are also pretty good.